I am attracted to people and ideas that bridge the internal and external life through their art and writing. I was driven to pursue art history and psychoanalysis for this reason. In one field, we have the external object as the center of inquiry, and in the other, the Self. These books all inspired me to see the world through a new lens.
I wrote
Freud, Jung, and Jonah: Religion and the Birth of the Psychoanalytic Periodical
Freud’s highly influential essay—reprinted in pamphlet form by bookseller Hugo Heller—argues that the Austrian author Wilhelm Jenson translated his daydreams into aesthetic form. This focus on the internal life of the author became widely influential to interwar modernism.
I am as interested in Freud’s analysis of Jenson as an author and his central protagonist Norbert Hanold, as he idealizes the memory of a childhood loss of his beloved that he associates to the Gradiva bas-relief as I am with the establishment of Freud the critic, analyst, and writer.
Around the same time Freud first delivered this paper as a lecture at Heller’s bookstore, he provided the bookseller Hugo Heller with his personalized list of the 10 Most Influential Books that Heller used to advertise his authors and sell books.
Hughes gives poetic expression to his wanderlust as he charts his travels across Cuba, Haiti, Russia, Soviet Central Asia, and Spain. His observations about nation-states at war and in the throes of revolution remain urgent and timeless at the same time.
I read this book on an Amtrack train trip—with sleeping car and dining—across the United States, and it changed my perspective of the great expanses of land I passed through.
In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.
His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.
Fourteen is a coming-of-age adventure when, at the age of 14, Leslie and her two sisters have to batten down the hatches on their 45-foot sailboat to navigate the Pacific Ocean and French Polynesia, as well as the stormy temper of their larger-than-life Norwegian father.
A meditative look at the inner life and social contexts of Norstein’s film Tale of Tales about a little grey wolf who wades through the realities of postwar culture as the eponymous character of a popular national lullaby.
Kitson’s recovery of the material and spiritual biography of a Soviet auteur showed me the way to my own work on the Jewish labor force in Soviet animation.
Tale of Tales fuses Yuri Norstein's memories of his past and hopes and fears for the future. This book examines the passage of these motifs into the film but it also looks into later influences that affected it.
Morgan illuminates and analyzes the visual culture of religion that scholars have neglected to consider seriously. His lyrical and incisive deep dive into the visual aspects and social contexts of a broad range of case histories, including religious Americana, opens up the “field” of visuality beyond the object itself and to the phenomenology of seeing.
'Sacred gaze' denotes any way of seeing that invests its object - an image, a person, a time, a place - with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, "The Sacred Gaze" discusses the religious functions of images and the tools viewers use to interpret…
With its lively, demystifying approach, The Tao of Inner Peace shows how the Tao can be a powerful and calming source of growth, inspiration, and well-being in times of conflict and anxiety.
This timely guide to the timeless wisdom of the Tao Te Ching shows how to: bring greater joy,…
A century after German scholars developed art history as a highly conservative meta-theory well suited to the study of the broader categories of “civilization” and “culture,” the Viennese psychoanalytic movement developed a highly radical meta-theory that posited civilization and culture as fictions meant to curb individual desires.
Art historian Mary Bergstein illuminates photography's rich role in Freud’s thinking. Bergstein deftly reminds us that Freud’s interdisciplinary approach to the history of art and the new science of psychoanalysis was specifically meaningful to his time and place. During the brief period when Vienna would be recognized as the capital of European modernism, psychoanalysis developed as a meta-theory—a radical one—with the cult of individual desires and fears at its heart.
Photographs shaped the view of the world in turn-of-the-century Central Europe, bringing images of everything from natural and cultural history to masterpieces of Greek sculpture into homes and offices. Sigmund Freud's library-no exception to this trend-was filled with individual photographs and images in books. According to Mary Bergstein, these photographs also profoundly shaped Freud's thinking in ways that were no less important because they may have been involuntary and unconscious.In Mirrors of Memory, lavishly illustrated with reproductions of the photos from Freud's voluminous collection, she argues that studying the man and his photographs uncovers a key to the origins of…
The modern science of the sexual psyche both gave new life and upended the sacred cows of religion. On the one hand, religion put the fledgling psychoanalytic movement onto the world stage. On the other hand, lived religion also threatened to dismantle the psychoanalytic collective.
In the founding years of the first psychoanalytic journals, relational dynamics between the pioneers of psychoanalysis shaped the psychoanalytic corpus on religion. I read these dynamics anew by returning to the periodicals, where the psychoanalytic pioneers developed their ideas in tandem rather than as lone authors (as anthologies imply). This exercise reveals hundreds of new data points on the internal world, revises many of the assumptions we have made about the birth of psychoanalysis, and solves the 120-year-old puzzle of the four drawings Freud made of the Moses of Michelangelo.
The Pianist's Only Daughter
by
Kathryn Betts Adams,
ThePianist's Only Daughter is a frank, humorous, and heartbreaking exploration of aging in an aging expert's own family.
Social worker and gerontologist Kathryn Betts Adams spent decades negotiating evolving family dynamics with her colorful and talented parents: her mother, an English scholar and poet, and her father, a pianist…
The Extraordinary Journey of David Ingram
by
Dean Snow,
An ordinary sailor named David Ingram walked 3600 miles from Mexico to Canada over the course of eleven months in 1568-9. There, he and two companions were rescued by a French ship on the Bay of Fundy. They were the first Englishmen to explore the interior of North America.